Residing in Mount Maunganui, New Zealand, Ben is a self-taught artist who has been making glass sculpture for over 15 years and has exhibited alongside well-known glass artists both internationally and in Australia and New Zealand.
Having spent most of his life living in the beautiful Bay of Plenty (North Island, NZ) it seemed natural for him to explore the local landscape and surroundings for early inspiration in his art. A keen surfer and a boat builder by profession, he is largely influenced by the ocean and brings these passions together in his evocative glass forms.
Each of Young’s sculptural works are hand drawn, hand cut and handcrafted from clear sheet float glass, then laminated layer upon layer to create the final form. He constructs models, draws templates, makes custom jigs and then cuts the layers with a glazier’s hand-tool. The complexity comes from the planning phase, where he says ‘I do a lot of thinking before I even start to draw or cut’. He then sketches the concept by hand and creates a plan using traditional technical drawing techniques: ‘I work with 2D shapes and have to figure out how to translate that into a 3D finished piece. Sometimes my starting point changes dramatically as I have to find a way to layer the glass to create certain shapes.’
‘The way I use the glass enables me to portray so many different elements of my conceptual ideas’, he says. ‘Lighting plays a large part in the presentation of my pieces. When lit from beneath, the light reflects and gives off the illusion of the piece being brought to life. I hope viewers might imagine the work as something “living” that creates the illusion of space, movement, depth and sense of spatial being. I like to play with the irony between the glass being a solid material and how I can form such natural and organic shapes.’
Young’s work explores the use of industrial materials to compliment the organic glass shapes. He likes the idea that concrete is a basic construction material, and also the physical and visual contrasts between the textures and colours of both materials. Still noticeably influenced by the ocean and bodies of water - the concrete forms have become an integral part of his art forms as have the small bronze carvings which he sculpts initially from wax and uses to help portray the narrative suggested by his landscapes.
His latest body of work ‘Sentiments of the Sublime’ explores the nostalgic many and collective perspectives of the relationship between man and nature. In creating work, by hand, that makes reference to the myriad of perspectives and experiences of others, Young’s work is both deeply personal to the viewer and at the same time exploring subject matter that is universal, connecting Young, his work and his viewers in a moment of awe and nostalgia.